It's
way bigger than life and certain to put a smile on your face when you
see it.
The
25-foot-tall "kiss" statue -- officially labeled "Unconditional
Surrender" -- was bolted into place and officially dedicated on
Valentine's Day. It now looms over the San Diego waterfront park adjacent to
the retired U.S. Navy aircraft carrier museum USS Midway.
It
is a sight to behold and the cornerstone of a weekend getaway to San Diego, a
232-mile drive south from Bakersfield. If the traffic gods are cooperative, the
drive should take only 3½ hours.
If
you have a couple of days, you and the family can hit the more commercialized
venues like Sea World, the San Diego Zoo and Legoland.
But
if you're looking for something unusual and a bit off the beaten path, head to
the waterfront park, which has been renamed the "Greatest Generation
Walk," at 910 N. Harbor Drive.
"Unconditional
Surrender" was created by artist J. Seward Johnson and inspired by the
Aug. 14, 1945, photo of a sailor grabbing an unsuspecting nurse in New York's
Times Square and planting a wet celebratory kiss at the announcement of the end
of World War II.
While
many contend the statue is based on the iconic photograph by Alfred
Eisenstaedt, which appeared in Life magazine, Johnson said he actually used a
lesser-known image taken of the same scene by Victor Jorgensen.
Johnson's
original statue was made of a foam core, with a urethane outer layer.
Susceptible to weather damage, it was loaned to San Diego in 2007 by Johnson's
nonprofit Sculpture Foundation. It remained in San Diego until May 2012, when
it was returned to a New Jersey foundry for repairs.
At
its 2007 installation, retired Los Angeles teacher Edith Shain, who claimed to
be the nurse in the now-famous photograph, recalled the kiss.
"During
the moment of the kiss, I don't remember much; it happened so fast and it
happened at the perfect time. I didn't even look at the sailor who was kissing
me," she told reporters. "I closed my eyes and enjoyed the moment
like any woman would have done."
Shain,
who died in 2010 at the age of 91, acknowledged that the statue brought back
"so many memories of peace, love and happiness. There is so much romance
in the statue; it gives such a feeling of hope to all who look at it."
In
addition to Shain, several men and women have stepped forward over the years
claiming to be the "Unconditional Surrender" sailor and nurse.
Because of the chaos at the scene, neither photographer obtained the subjects'
names.
But
it really doesn't seem to matter.
The
photographs and statues are representative of a heroic generation that fought a
long, hard war and saved the world for the rest of us.
When
the original statue was yanked from its San Diego perch last year, the USS
Midway Museum and a national coalition of World War II interest groups called
"Keep the Spirit of '45 Alive!" led a communitywide "Save the
Kiss" fundraising drive to purchase a permanent replacement made of
bronze. In just a few months, more than $1 million was raise to pay for a more
durable statue and to re-landscape the surrounding park.
Landscaping
includes cherry trees donated by the Japanese Friendship Garden Society of San
Diego. The park also features the Bob Hope Memorial Plaza, which includes
statues of the much loved entertainer and his soldier audience.
Replicas
of Johnson's "Unconditional Surrender" statue also are on display in
Hamilton, N.J., and Pearl Harbor, near the battleship USS Missouri.
Until
last year, a statue also adorned the water front in Sarasota, Fla. That statue
was removed for repairs after it was damaged by a car crash.
The
Sarasota statue initially received a cold shoulder from the arts community,
which called it a garish "giant cartoon" unworthy of water front
display.
Artistic
taste aside, there is no denying that "Unconditional Surrender" is a
real crowd-pleaser. Even on the overcast day of my San Diego visit, people pressed
around the base -- some to admire the size, others to peek up the nurse's skirt
and many young lovers to mimic the pose.
But
mostly, people were smiling.
This
article appeared in The Bakersfield Californian on April 12, 2013.
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